Images for Women’s March 2018

Yesterday, a friend asked me for a digital image of the B+W screenprinted poster I had made as part of Agitprop. Here it is in 11 x 14.

Aditi Raychoudhury. The United Faces of America (B+W). 2017.
Aditi Raychoudhury. The United Faces of America (B+W). 2017.

 

And, if you want to print a colored-one – here it is.

Aditi Raychoudhury. The United Faces of America (Color). 2017.
Aditi Raychoudhury. The United Faces of America (Color). 2017.

 

Women’s March. January 20, 2018

First, we marched. Now, are you ready to run? Print this 11 x 14 image of  The United Faces of America for Women’s March 2018  and print it off your printer. Take it to the streets and claim Justice and Equality for All ! Please spread the word. Thank you!

Aditi Raychoudhury. The United Faces of America (Color). 2017.
Aditi Raychoudhury. The United Faces of America (Color). 2017.

 

SaveSave

SaveSaveSaveSaveSaveSave

SaveSave

Don’t let the President Steal Our Land

Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.
Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.
Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.

Dec 12, 2015: 196 nations agreed to respond to climate change by keeping a global temperature rise this century well below 2 degrees Celsius above pre-industrial levels and to pursue efforts to limit the temperature increase even further to 1.5 degrees Celsius.

Jun 1, 2015: President Trump pulls out of Paris agreement

Dec 4, 2017: President Trump reduces the size of two national monuments in Utah by some two million acres, the largest rollback of federal land protection in the nation’s history. Patagonia’s headline the morning after reads “The President Stole Your Land”.

YOU.CAN.STOP.ENVIRONMENTAL.THIEVES by purchasing my poster “Yes on Trees” created for Patagonia’s Vote the Environment campaign in conjunction with Creative Action Network and  The Canary Project .

30% of profits from sales will go towards supporting the project, 30% to HeadCount, a non-partisan organization that uses the power of music to register voters and promote participation in democracy, and 40% to me.

Buy a poster, spread the word, and take the planet to the voting booth in 2018!

52 Years Ago

On Nov 19, 1965 two strangers got married, yet it is the best marriage I know of. Those strangers also gave birth to me, my brother and my sister. They, at the very least, showed us how to love. I miss my parents and their wisdom everyday. More on their marriage at “An Arranged Marriage, a Lifetime of Love”.

Aditi Raychoudhury. My newly married parents. 2017. Watercolors.
Aditi Raychoudhury. My newly married parents. 2017. Watercolors.

 

AGITPROP. PARTIE TROIS. (Or How Things Evolve)

Aditi Raychoudhury. The United Faces of America. 2017. Screen print on newsprint.
Aditi Raychoudhury. The United Faces of America. 2017. Screen print on newsprint.

Adapted The United Faces of America to a single color image. Pulled some test prints on newsprint. Step #2: Experiment with hand tinting certain areas. Step #3: Print on Kraft paper.  Thank you, Compound Gallery for the Agitprop Residency Program and your astute feedback and support.

This exercise started as a multicolor image that we adapted to work for a 3-color image for screen printing to a single-color image (with some hand tinting) in the interest of time. Parameters set the tone, and it’d always fun to work with.

The United Faces of America. 2017. Image for 3-color screenprint.
The United Faces of America. 2017. Image for 3-color screenprint.
Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.
Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.

 

One for Inktober

Aditi Raychoudhury. Poster for SPICMACAY, Rajan and Sajan Misra. 1990. Pen and Ink
Aditi Raychoudhury. Poster for SPICMACAY, Rajan and Sajan Misra. 1990. Pen and Ink
Aditi Raychoudhury. Poster for SPICMACAY, Rajan and Sajan Misra. 1990. Pen and Ink

Before October is all but gone, here is one for #inktober – even though it is from 27 years ago! I had just started architecture school and quickly got involved with anything that needed an illustration. #SPICMACAY (Society for the Promotion of Indian Classical Music And Culture Amongst Youth), was one such organization founded by #PadmaShri Dr. #KiranSeth. I ended up making a lot of posters for them – they all had to be exceuted quickly in black and white for quick reproduction and dissemination. Here is one I did for a musical night by #RajanMishra and #SajanMishra. Rajan and Sajan Mishra are part of a 300-year-old lineage of #khyal singing of the #Banarasgharana

Shubho Bijoya

Aditi Raychoudhury. Snagging a Mango. Watercolors and Gouche on BFK Rives. 2017.
Aditi Raychoudhury. Snagging a Mango. Watercolors and Gouche on BFK Rives. 2017.
Aditi Raychoudhury. Crazy Rickshaw Ride. Watercolors and Gouche on BFK Rives. 2017.
Aditi Raychoudhury. Crazy Rickshaw Ride. Pencil on Tracing Paper. 2017.
Aditi Raychoudhury. Crazy Rickshaw Ride. Pencil on Tracing Paper. 2017.

Maa has returned to her heavenly abode, as did mine, almost 20 years ago.

When we were little, the joy of pujo lay in waking up at the crack of dawn to Birendro Kishore Bhodro’s rendition of Mohaloya broadcast over All India Radio. It lay in the anticipation of more than a week off from school, wearing new clothes, eating bhog, and most of all meeting friends and family.

After I had moved to Delhi, pujo was a time to be with my parents, who had moved to Kolkata by then. Kolkata was a big change from the small town I had grown up in. The pandals of Raurkela were neither as creative as Kolkata, nor were they as crowded. The madness that grips Kolkata during pujo is not something anyone outside of Kolkata can understand or imagine.

This night was pujo’s biggest night – Ashtami. After offering our morning Anjali in the paaraar pandal, we decided not to venture out in the evening.

“Knock, knock, knock!!!” It was Monoronjon, our local rickshaw puller.

Those who are familiar with Kolkata, know that rickshaw pullers are our solution to getting to various modes of an otherwise efficient public transit system. Within every few blocks is a “rickshaw stand” marked only by a huddle of rickshaws. If you live in that neighborhood, you start using the same rickshaw puller to take you places, or to run errands. In our case, that man was Monoronjon.

“Ki Boudi, pujo dekhbeyn naa?” (Brother’s wife, don’t you want to go and see pujo?)
“Naa, eyi bheedeyr moddhey aar beyrotey bhaal laagey naa.” (No, its too crowded to be enjoyable)
“Sheyki??? Oshtomir din, protimaa dekhtey jaabeyn naa. Ey ki kothaa? Cholun. Aajkey keyu baadi boshey neyi. Cholteyi hobey.” (How can that be? Its Ashtami, Pujo’s big night. How can you not want to see Mother Goddess. No one stays home on Ashtami. I will take you through the backlanes. You have to come.)

And, so we did. Through the narrow back lanes of Selimpur to all the pujos in Jodhpur Park, Jadavpur park and even as far as Santoshpur. My sister and I hung on to our mother for dear life as Monoronjon expertly swerved his way through the winding streets and impenetrable crowds. A good three hours later – we were home.

“Eyyi jey, Monoronjon. Eyto ghoraaley. Koto holo?”(you took us around quite a bit. How much?)
“Sheyki baudi? Pujor din. Aami aapnedeyr ghora tey niyey gaychhi. Aapni to amaakey daakeyn ni.” (How can you even ask me that? Its pujo. I asked you to come with me. You didn’t ask me to take you.)
And with that, Monoronjon, our illiterate, dirt-poor rickshaw puller reminded us that pujo is so much more than new clothes, food or commerce. It is about sharing joy.

Agitprop – Part Deux

The United Faces of America. 2017. Image for 3-color screenprint.
The United Faces of America. 2017. Image for 3-color screenprint.
The United Faces of America. 2017. Image for 3-color screenprint.

Reduced the original image

Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.
Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.

 

for a 3-color screenprint that I will be making 100 copies of as part of the Agitprop residency sponsored by the Compound Gallery.

The Compound Gallery is funding this Residency out of its own funding to help artist create art with traditional printmaking techniques (e.g., letterpress, silkscreen, etching, relief, photopolymer plates) and building a bridge between printmaking’s historic relationship to generating social/cultural/political awareness and contemporary social media/online forums. If you want to support what they do by either donating ink, paper, supplies, or monetary funds, you can do so by clicking HERE.  They are fiscally sponsored via Fractured Atlas, a 501(c)(3) public charity. Contributions for the purposes of The Compound Gallery are tax-deductible to the extent permitted by law.

SaveSave

Grateful for the Agitprop Residency at the Compound Gallery

Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.

I am grateful to the Compound Gallery for offering me a spot in their Agitprop Residency program 

What is Agitprop? Its Printing for a cause. Thinking. Making. Disseminating. 1 individual, 1 month, 100 Prints.

I will be printing the United Faces of America as a 3-color screenprint over the next month.

 

Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.
Aditi Raychoudhury. Resist. 2016. Adobe Illustrator.

 

 

The Compound Gallery is funding this Residency out of its own funding to help artist create art with traditional printmaking techniques (e.g., letterpress, silkscreen, etching, relief, photopolymer plates) and building a bridge between printmaking’s historic relationship to generating social/cultural/political awareness and contemporary social media/online forums. If you want to support what they do by either donating ink, paper, supplies, or monetary funds, you can do so by clicking HERE.  They are fiscally sponsored via Fractured Atlas, a 501(c)(3) public charity. Contributions for the purposes of The Compound Gallery are tax-deductible to the extent permitted by law.