To have or not to have Boli?

Aditi Raychoudhury. Animal sacrifice. Kali Pujo. 2019. Gouache and Watercolor.
Aditi Raychoudhury. Animal sacrifice. Kali Pujo. 2019. Gouache and Watercolor.

When most Indians are celebrating Diwali and Rama’s return to Ayodhya after vanquishing the demon king Ravana, it is overshadowed by a lesser known festival, Kali Pujo when Kali, a more virulent form of Durga, is worshipped through the night with great fervor in Eastern India. As a Bengali, I was very much a part of this tradition, and we would go out late in the night, to pay our respect to beautifully decorated idols of Kali, resplendent in her garland of blood red hibiscus flowers and demonic heads. We would have bhog after midnight, the highlight of which was an oxymoron – the unusual vegetarian goat curry. If you think this curry is made out of trendy fake meat, you are very much mistaken. Kali Pujo, predates fake meat by centuries! What apparently makes this curry “vegetarian” is the lack of onions and garlic that are otherwise always used in a traditional Bengali goat curry. The goat for this curry is comes from a male goat that was sacrificed at midnight, a ritual I was witness to once as a little girl.

We were at my dida’s (maternal grandma’s) house in Purnia. My widowed grandmother, was a devotee of RamKrishna, a Bengali saint, who in turn was a devotee of Maa Kali. She would take us to the Purnia Kali Bari at least once during our stay with her. It was a trip that I enjoyed very much with its rhythmically bumping rickshaw ride as it snaked through tall palm trees that had little clay pots strung right around where their leaves ended. It looked as though the trees had necklaces around their neck. I enjoyed looking at the daring men who climbed way up high with minimal safety gear to collect the sweet sap from the pots. The sap has a nutty smoky flavor that tastes a bit like maple syrup. It is mildly processed to make yummy nolen gur that went into flavoring my favorite desserts. The sap of some other palms were used to make toddy. What that tastes like, I can’t tell, because I have never had any. Most of all I loved the serene setting of this little temple by the river amidst lush tropical greens.

Collecting sap from palm trees.

This time we were in Purnia for Kali Pujo and yes, as usual, we were going to venerate Maa Kali – this time at the Purnia Kali Bari. Like before we jumped on to our parents laps, and bumped along the road as our parents hugged us tightly. Little did I know that this trip was going to be quite different, one that would be seared in my memory.

As, we disembarked on this new moon night that lay suspended between the end of Sharad and the start of Shishir, I was taken aback by the sound of prayers being offered to a male black goat. Oh, how handsome he looked with his garland of bright red hibiscus flowers shining brightly against his silky black fur as he was gently being guided towards the sacrificial altar. As the goat realized its ultimate fate, its joyful pride dissolved into trembling bleats which despite their softness, split right through this dark night. Oh, the poignancy of his bleats! I ran as far away as I could and shut my ears, waiting for that blissful serendipity of the place to return. A few short moments later, all went numbingly quiet, as the giant sword, swiftly decapitated this goat in one fell swoop. It was over – but not for me. I just couldn’t get those plaintive bleats out of my head. With my heart in shards, it became impossible to settle into the quietness of a Hemant new moon. The sight of that goat curry made me gag, and I couldn’t eat it. Even though it didn’t make me a vegetarian, and I continued to enjoy our Sunday goat curries for many years, I couldn’t forget this little goat – so happy in its veneration, so terrified of its ultimate end.

In the process of painting this, I came to realize that I had been so shaken by that event that I had forgotten what time of day this deadly ritual had taken place.

Much has changed since then. Activists have managed to highlight the cruelty of this practice and most temples now sacrifice a gourd instead of a goat.

But despite all their activism, eating meat and the number of brutal slaughterhouses have increased manifold in India. During the process of capturing this memory, I started to wonder is it really worse to occasionally eat a few small bites of meat of an animal that was raised with love, venerated, and killed with compassion and the belief that because of this great sacrifice, he shall be reborn as a human being than to stock up our freezers with mounds of beautifully butchered shapes of meat that bear no resemblance to the being that they came from?

As we ramp up to Thanksgiving, I question our activism that results in hiding from sight what we can’t stand to bear. As we gather around any festive table, perhaps what we should be most thankful for is the being that gave its life to bind us together around the table to cherish our friends and families, and nourish our bodies and souls.

Aditi Raychoudhury. Animal sacrifice. Kali Pujo. 2019. Pencil on Tracing Paper.

Bodhon

Aditi Raychoudhury. Bodhon. 2019. Gouache and watercolors.
Aditi Raychoudhury. Bodhon. 2019. Gouache and watercolors.

When I was growing up, shashti was my most exciting day. We wore our first set of pujo clothes, and I couldn’t wait for dusk to fall, so that I could see bodhon , the unveiling of Maa Durga ’s face , as she is invited to spend time on our earth (Amantran and Adhibash ) On mahasaptami, the statue icomes alive as she steps into our mortal world to start her epic battle against evil Mahisasur who she vanquishes on Ashtami. She isn’t just brave and strong. Before vanquishing Mahisasura, she promises that despite his misdeeds, he too shall be worshipped along with her and her children. And, so, Durga pujo is not merely prayers for her, but for her children and even the misguided demon. That’s what makes Durga Pujo an epic story and makes Bengalis go crazy during this festival. Here I am with my mother and sister during the Big Reveal !

Celebrate Pride

 

These 12″ x 12″ prints are now available for purchase from my store till the end of June to celebrate #pridemonth… Orders fulfil pretty quickly, so you can carry it to your local pride weekend celebrations #pride2018#loveisloveislove #celebratelove #celebratepride

for the ladies:

http://www.etsy.com/listing/607501762/love-is-love-is-love-f

Aditi Raychoudhury. Love is Love is Love. 2018. Adobe Illustrator.
Aditi Raychoudhury. Love is Love is Love. 2018. Adobe Illustrator.

15 X 15 Gay Pride female 2 2018 clean- ZOOM

for the men:

http://www.etsy.com/listing/607501762/love-is-love-is-love-m

15 X 15 Gay Pride male 2018 - cleaned up-01
Aditi Raychoudhury. Love is Love is Love. 2018. Adobe Illustrator

15 X 15 Gay Pride male 2018 - Zoom

 

The United Faces of America in Layers

Aditi Raychoudhury. United Faces of America in Layers. 2018.
Aditi Raychoudhury. United Faces of America in Layers. 2018.

This GIF captures a bit of how each color is painstakingly layered one at a time to create the final image. That is more than 400 pulls for an edition of 100 prints. Anybody who screenprints takes it on for the love of it. Its truly backbreaking work.

You can pre-order this ltd edition #screenprint ed #poster of #theunitedfacesofamerica from https://lunaspace.org. Part of the proceeds will go to International Rescue Committee and Sister District Project . Big thank you to those who already pre-ordered.

Twenty years ago today

 

We observed my mother’s Shraddha. That day is blurry but I am sure that we blindly went through the rituals that had been codified more than two thousand years ago.

Aditi Raychoudhury. And he wept and he wept and he wept. 2018. Watercolors.
Aditi Raychoudhury. And he wept and he wept and he wept. 2018. Watercolors.

Aditi Raychoudhury. And he wept and he wept and he wept. 2018. Pencil on Paper.
Aditi Raychoudhury. And he wept and he wept and he wept. 2018. Pencil on Paper.

What is not blurry is the day leading up to her death.

Her sprightly chatter had fallen into near silence during the week leading up to her death.

My father had bathed and changed her, just like he had done every noon since the time she had gotten too weak to do it herself.

I had taken to brushing her thick long black hair. I liked how it felt wet, cool and heavy in my hands.

Like the past few weeks, her head rested heavy on her hand. Her eyes – sad, soft, downcast and faraway, even though we were sitting right in front of the mirror she had used to energetically adorn herself with a little gold and sindoor for about 32 years.

“কি ভাবছ, মা?” (What are you thinking about, Ma?)

“ধুত, কি আবার?” (Oof! What else?)

she replied distantly and irritably.

I loosely braided her hair even though her voice stung. Did she know that was going to die?

She ate a bit and lay down to rest.

I laid down beside her and stroked her still spotless, golden, beautiful back. I can’t think of a time in my life when I didn’t love stroking her back.

She was falling off to sleep.

Suddenly, she sprang up to sitting on the edge of her bed, her words tumbling rapidly into one another as she desperately tried to keep pace with her sudden burst of delirium.

“Can you hear them?”, she gasped.

“Hear what, Ma?”

“Those bells… the evening bells. Can’t you hear them? They have started to practice their dance. What are you doing here? Why aren’t you there, practising with them?”

“What bells? What dance, Ma?”

“There! There! Can’t you see them?” pointing to a corner of the room.

“Ma! There’s nobody there!” I was beginning to get very frightened as I looked into a pair of eyes that I could no longer recognize.

They looked manic, puzzled. Why couldn’t I see what she could see? She dropped her arm,  let out a deep sigh and fell into disappointed silence.

For twelve years of my life, I had practiced dancing every evening. It was evening alright. But those practice sessions were long gone.

As my husband and brother frantically tried to get a hold of her doctor for advice, my father and I sat next to her, not knowing what was to come.

Little did we know that we would be watching death unfold.

Perhaps it was an illusion created by the emotional center of my otherwise pretty logical brain, but it wasn’t like she was alive one moment and dead the next. It felt like her life had become into its own being and was wrestling to set itself free from its physical binds.

How long did that last? A few minutes? A few hours? We weren’t scientists trying to study death with a stop clock. We were watching my mother die, and it felt like a really long time.

Strangely enough, the closest thing I can compare it to is birthing. Just as time, space and cognition collapse into one incomprehensible dimension when a baby is on its way to be born, this was no different.

Just like a baby forcefully and determinedly squirms and twists its way through the birth canal in no predictable pattern till the head, shoulders and the rest of her body slithers out into one slimy, bloody mess and a loud wail, my dying mother’s life was corkscrewing its way out through her death canal, a bit at a time to no set rhythm.

Like a baby unregrettably leaves the womb that had kept her alive for nine months, my mother’s life finally broke free from the body that had nurtured it for 51 years, leaving behind slightly parted lips, a stony blank stare, and a loud wail – my father’s, ” আর নেই রে! তোর মা চলে গেছে!” (She is no more! Your mother has left us) as he continued to stroke her limp but still warm shell of a body.

They had been married for 32 years. It had been arranged. They hadn’t met till their wedding day, yet it is the best marriage that I know of.


 

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Images for Women’s March 2018

Yesterday, a friend asked me for a digital image of the B+W screenprinted poster I had made as part of Agitprop. Here it is in 11 x 14.

Aditi Raychoudhury. The United Faces of America (B+W). 2017.
Aditi Raychoudhury. The United Faces of America (B+W). 2017.

 

And, if you want to print a colored-one – here it is.

Aditi Raychoudhury. The United Faces of America (Color). 2017.
Aditi Raychoudhury. The United Faces of America (Color). 2017.

 

Women’s March. January 20, 2018

First, we marched. Now, are you ready to run? Print this 11 x 14 image of  The United Faces of America for Women’s March 2018  and print it off your printer. Take it to the streets and claim Justice and Equality for All ! Please spread the word. Thank you!

Aditi Raychoudhury. The United Faces of America (Color). 2017.
Aditi Raychoudhury. The United Faces of America (Color). 2017.

 

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Don’t let the President Steal Our Land

Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.

Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.
Aditi Raychoudhury. Yes on Trees (for Vote the Environment Campaign for Patagonia). 2014. Adobe Illustrator.

Dec 12, 2015: 196 nations agreed to respond to climate change by keeping a global temperature rise this century well below 2 degrees Celsius above pre-industrial levels and to pursue efforts to limit the temperature increase even further to 1.5 degrees Celsius.

Jun 1, 2015: President Trump pulls out of Paris agreement

Dec 4, 2017: President Trump reduces the size of two national monuments in Utah by some two million acres, the largest rollback of federal land protection in the nation’s history. Patagonia’s headline the morning after reads “The President Stole Your Land”.

YOU.CAN.STOP.ENVIRONMENTAL.THIEVES by purchasing my poster “Yes on Trees” created for Patagonia’s Vote the Environment campaign in conjunction with Creative Action Network and  The Canary Project .

30% of profits from sales will go towards supporting the project, 30% to HeadCount, a non-partisan organization that uses the power of music to register voters and promote participation in democracy, and 40% to me.

Buy a poster, spread the word, and take the planet to the voting booth in 2018!

52 Years Ago

On Nov 19, 1965 two strangers got married, yet it is the best marriage I know of. Those strangers also gave birth to me, my brother and my sister. They, at the very least, showed us how to love. I miss my parents and their wisdom everyday. More on their marriage at “An Arranged Marriage, a Lifetime of Love”.

Aditi Raychoudhury. My newly married parents. 2017. Watercolors.
Aditi Raychoudhury. My newly married parents. 2017. Watercolors.